Stephen Boyd Volunteers For Assignment K (1968)
All 60's spy thrillers function in context of where they figured into the James Bond series. Beyond mere copying of 007, most worked off blueprint of whichever Bond was recent, Assignment K being happy exception for beating JB to snowy backdrop that would inform much of On Her Majesty's Secret Service. Not that Bond wouldn't trump K once he got there, Assignment being winter scenery first and action a distant second. In fact, Stephen Boyd's toy tycoon who's also a Brit intelligence operative plays by such polite code that we're actually surprised to see him (finally) draw a gun. That restraint is actually what I liked about Assignment K; Boyd's just trying to run his business and do the Empire a good turn during off-hours. There is microfilm concealed in doll dresses, coded message rolled up in cigarette paper, a sort of stuff Hitchcock or someone at Gaumont might have dreamed up during the mid-30's. Again: part of Assignment K's charm. Want fast pace? Never mind it here ... forty minutes pass before anything like a story surfaces. Boyd has a neat


According to one site: "He was a serious contender for James Bond in the first film of the series, Dr. No (1962), but couldn’t be released from his Fox contract; he was waiting to start work as Marc Antony in Cleopatra (1963)." No idea if they ever thought about him later on. But Assignment K director Val Guest would soon be one of the ones responsible, if that's the word, for the overgrown spoof Casino Royale (1967).
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