Classic movie site with rare images (no web grabs!), original ads, and behind-the-scenes photos, with informative and insightful commentary. We like to have fun with movies!
Archive and Links
grbrpix@aol.com
Search Index Here




Tuesday, April 18, 2006






Jack Benny and The Fox Team Players
Sometimes in the workplace, it’s necessary to get all the employees together for a real group effort --- one of those one-for-all-all-for-one projects where everyone hauls the freight together. Here we have the happy family at 20th Century Fox putting their shoulders to the wheel on behalf of Charley’s Aunt, Jack Benny’s 1941 remake of that venerable war-horse familiar to most anyone who’d ever bought a theatre ticket. They really put the big sell behind this one, and every major name on the lot seems to have kicked in. I’d first noted the unusual campaign for Charley’s Aunt some fifteen years ago as I walked down a hotel corridor during a Syracuse Cinefest. Through a partially open door, I heard the familiar chatter of a 16mm projector, not an uncommon thing at Cinefest --- but this one was firing up on a deluxe trailer for Charley’s Aunt, and there on the somewhat off-white far wall of the room was a galaxy of Fox stars endorsing Jack Benny and his new comedy. Having never seen the feature, I couldn’t imagine it measuring up to this trailer. Some time later, I did finally see Charley’s Aunt, and I laughed --- no, I really laughed. This is one terrific Jack Benny performance. Rumors are afoot that Fox is considering a DVD release of this and The Meanest Man In The World (Jack’s other Fox vehicle, and a good one). I hope this rumor pans out.

Now all of you no doubt wonder, as do I, if these caricatures of Jack Benny were really drawn by the artists credited. Alice Faye? Tyrone Power? Rochester? I mean, who knew? John Barrymore
, yes, as he was somewhat accomplished with a sketchpad, and had indeed considered a career in commercial art before the lure of family business proved irresistible. I wonder how Jack might have fared if they’d just let go his own way as a young man. Would he have been content drawing ads for Carnation milk and Arrow shirt collars? As it is, Barrymore is once again spoofing his own glory days behind the footlights with a Shakespearean spin on his artistic contribution ("Alas, Poor Bennick"). Having recently done The Great Profile for Zanuck , for which he received a much needed $200,000, Jack probably recognized a certain obligation to the studio that had, by now, sustained a considerable loss on his account (The Great Profile went $250,000 into the red).


You’ll note the convenient mentions of other Fox productions --- Tyrone Power jots down his depiction of Benny while awaiting the next set-up on A Yank In The R.A.F., while Alice Faye whiles away the time between takes on Weekend In Havana. I’d really like to know if they actually drew these things. Actually, I think the caricatures are pretty good. Maybe too good --- know what I mean? Rochester’s contribution is the oddest --- what’s with the padlocks? I suppose it was inevitable that Betty Grable would be pressed into service for a little comparative leg art with Jack. For that matter, all these people shared criss-crossing paths between sound stages and broadcasting studios. Benny always liked to promote his movies with guest appearances of movie star friends, and based on his gigantic listening audience, it behooved these personalities to play ball. Mutual back scratching between motion pictures and radio was at a near peak when Charley’s Aunt came out. It must have been a pretty good plan, because the movie, with a negative cost of $889,000, brought back domestic rentals of $1.5 million, foreign was about half that at $737,000 (well, they had a war on over there, and didn’t have Jack Benny on the radio). Worldwide rentals were $2.2 million for a total profit of $722,000.


That supporting cast in Charley’s Aunt is an interesting mix of young ones moving up, and veterans headed down. Ann Baxter was a teenage ingenue having just completed The Great Profile with Barrymore. James Ellison was getting another chance at Fox after that bid for stardom in Paramount’s The Plainsman failed to launch. He’d be an ingratiating addition to The Gang’s All Here a couple of years later, but Fox would eventually cut him loose, and from there it was back to budget westerns where he’d gotten his start in the 1930’s. A welcome addition to Charley’s Aunt is Laird Cregar, lending a deft comedic touch he’d later apply to Lubitsch’s Heaven Can Wait. Finally, there is Kay Francis
, her major league status well past, and now approaching retirement from the screen --- her last would be a handful for Monogram before a final exit in 1946. Other than a few cameos, Benny himself would abandon movies even sooner with 1945’s The Horn Blows At Midnight.

4 Comments:

Blogger J.C. Loophole said...

Jack Benny has been my favorite comedian since I was at least 11 years old. His was the first "old time" radio show that I listened to, discovered in my father's sock drawer. Some kids find old radio show tapes, others find... well, anyway- I read his biography by his adopted daughter and found it a lovely tribute to her dad. I love having To Be or Not to Be on DVD - but I would love to have Charly's Aunt (which I haven't seen), George Washington Slept Here (which I though was great) and his other films. He was by many accounts, a very funny and generous man. Which is interesting to note because much of his comedy surrounded poking fun at his skinflint character he had built on the show. Many listeners thought that Jack Benny character was Jack Benny.
By the way, I have a tape from Jack's show which had Jack trying to get to the studio for the show without being seen by neighbor Ronald Coleman. "Ronnie" was still made at Jack for having had Ronnie's oscar stolen from him by a mugger (the infamous "your money or your life" scene). Jack disguised himself in his Charley's Aunt costume and had Mary pick him up on the corner.
I loved how some of the guest stars also got in on the act with Jack and even poked a little fun at themselves and the public's image of how they were. Ronald Coleman was always funny on the show. Funny how when I was a kid in the late 70s when Reagan and Carter were running for President, the "Ronnie" actor that I kept hearing Nancy Reagan (I didn't really know who she was either)refer to- I thought was "Ronnie" Coleman. It was the only "Ronnie" actor I knew. I thought it would be cool if Jack would've lived longer for "Ronnie" to make him Secretary of the Treasury.

9:19 AM  
Anonymous Griff said...

Though it's a famous film version of a famous play, I have managed to see the Benny CHARLEY'S AUNT exactly once. It was seldom if ever shown on tv in my youth, and I don't know why. I recall Fox films of the same vintage airing with great frequency, and Benny pix for other studios like THE HORN BLOWS AT MIDNIGHT, GEORGE WASHINGTON SLEPT HERE and ARTISTS AND MODELS were broadcast all the time; even TO BE OR NOT TO BE would air occasionally. When I finally did see a murky print of the picture -- which I liked -- it was airing on a tiny Canadian tv station. I can't but wonder -- did Fox's CHARLEY'S AUNT have rights issues at some point?

10:38 AM  
Anonymous Laughing Gravy said...

Jack Benny is one of the funniest men who ever lived, and I convulse with laughter just looking at a still of the guy. (I'm sure the "padlocks on the pockets" on the supposed Rochester drawing refer to Benny's legendary -- and false -- cheapness). Y'know, I have never heard anybody say anything bad about Jack Benny, and I can't say that about any other celebrity.

10:59 AM  
Blogger East Side said...

Jack Benny: my all-time favorite comedian! Never a big fan of his movies, but loved his TV show and hearing tapes of his radio series. I'll give "Charley's Aunt" a chance if Fox releases it.

8:50 AM  

Post a Comment

<< Home

grbrpix@aol.com
  • December 2005
  • January 2006
  • February 2006
  • March 2006
  • April 2006
  • May 2006
  • June 2006
  • July 2006
  • August 2006
  • September 2006
  • October 2006
  • November 2006
  • December 2006
  • January 2007
  • February 2007
  • March 2007
  • April 2007
  • May 2007
  • June 2007
  • July 2007
  • August 2007
  • September 2007
  • October 2007
  • November 2007
  • December 2007
  • January 2008
  • February 2008
  • March 2008
  • April 2008
  • May 2008
  • June 2008
  • July 2008
  • August 2008
  • September 2008
  • October 2008
  • November 2008
  • December 2008
  • January 2009
  • February 2009
  • March 2009
  • April 2009
  • May 2009
  • June 2009
  • July 2009
  • August 2009
  • September 2009
  • October 2009
  • November 2009
  • December 2009
  • January 2010
  • February 2010
  • March 2010
  • April 2010
  • May 2010
  • June 2010
  • July 2010
  • August 2010
  • September 2010
  • October 2010
  • November 2010
  • December 2010
  • January 2011
  • February 2011
  • March 2011
  • April 2011
  • May 2011
  • June 2011
  • July 2011
  • August 2011
  • September 2011
  • October 2011
  • November 2011
  • December 2011
  • January 2012
  • February 2012
  • March 2012
  • April 2012
  • May 2012
  • June 2012
  • July 2012
  • August 2012
  • September 2012
  • October 2012
  • November 2012
  • December 2012
  • January 2013
  • February 2013
  • March 2013
  • April 2013
  • May 2013
  • June 2013
  • July 2013
  • August 2013
  • September 2013
  • October 2013
  • November 2013
  • December 2013
  • January 2014
  • February 2014
  • March 2014
  • April 2014
  • May 2014
  • June 2014
  • July 2014
  • August 2014
  • September 2014
  • October 2014
  • November 2014
  • December 2014
  • January 2015
  • February 2015
  • March 2015
  • April 2015
  • May 2015
  • June 2015
  • July 2015
  • August 2015
  • September 2015
  • October 2015
  • November 2015
  • December 2015
  • January 2016
  • February 2016
  • March 2016
  • April 2016
  • May 2016
  • June 2016
  • July 2016
  • August 2016
  • September 2016
  • October 2016
  • November 2016
  • December 2016