Book Choice --- Little Elf: A Celebration of Harry Langdon
Langdon's Terrific in Hot Rhythm, But Ouch! --- Not Listed Among Players on the Lobby Card |
Harry Gets To Be "Master Of Mirth" At The Majestic ... But For One Day Only |
Long Pants and Harry's Truest Oddball Of A Misfire, But Its A Fascinating One |
Obscure For Decades, A Soldier's Plaything Finally Is Available on Warner Archive DVD |
Babe Hardy Posing as Though Stan Were Still His Partner, But This Was Langdon and Hardy in Hal Roach's Aborted Go at Replacing the L&H Brand |
Harry Plays at Tentative Comeback in Hallelujah, I'm A Bum |
Legendarily Lost Heart Trouble from 1928 --- Little Elf's Account is Almost Like Being There |
You'll not believe all the dope these authors found on pre-movie Harry. Little Elf is like innards of a long-forgot theatrical trunk filled with Langdon lore. I'm amazed such stuff survived, let alone that 2012 diggers could get at it. There are even scripts for HL's vaudeville turns, written, of course, by him. I came away from Little Elf thinking anything's possible --- will Harter/Hayde be the guys who someday find Heart Trouble? In the wake of this book, I won't be surprised. Noteworthy is over five hundred illustrations throughout Elf's pages, much being trade promos, rare ad art, wire photos --- lots new to me --- and culled from Langdon stashes far and wide. Little Elf is more than a book about one comedian --- it's masterly coverage of an era and the many whose orbits Harry crossed. Cameos, many extended, include Mack Sennett, Hal Roach, Laurel and Hardy ... the list encompasses most every headliner of Langdon's day. I'll be in and out of this book over pleasurable months to come. Certainly for whatever Harry Langdons I screen, it'll be sitting in my lap.
More Harry Langdon at Greenbriar Archives --- Part One and Two.
15 Comments:
Wow! Can't wait to get my hands on this one. Harry is one of my absolute favorites... even made note of his birthday last week on my doodle-blog;
http://kirdoodle.tumblr.com/post/25177982258/listen-its-harry-langdons-birthday
I think you are dead on as to his gifts as a character actor in later years. Many silent era comics had no trouble finding bits in later talkie features but, as often as not, simply became invisible in supporting casts (think Hank Mann or Snub Pollard). Langdon however almost always adds a sparkle even in tiny parts, and when given a little extra screen time like that dandy little Monogram musical he is positively memorable.
Loved his early stuff, and you can put me in the column of those who really like stuff like THREE'S A CROWD (maudlin, but not terrible at all) and THE CHASER (kinda weird, kinda goofy). I certainly hope this belated attention results in more Langdon films in circulation.
Maybe this book will finally put to rest the Frank Capra's portrait of Harry as a clueless dimwit, completely dependent on others--mainly Capra--for his success, and who destroyed his own career by trying to be Chaplin.
Langdon was in a 1938 British musical with Lupe Velez(!); one elaborate number was part sci fi, which has to be seen to be believed. The film went by two different titles (can't recall either). Langdon was just fine in it.
Langdon does deserve more exposure. Walter Kerr's mostly excellent "The Silent Clowns" seems to assume Langdon ultimately fixated on aping Chaplin's "pathos". On seeing "Three's a Crowd" and "The Chaser," I got the feeling that what Kerr saw as botched sentiment was actually unsentimental (and intentionally eccentric) comedy. The former has plenty of moments that undercut the mother-and-baby plot; and the latter was a frankly anti-sentimental cartoon about a henpecked husband finally "taming" his caricatured feminist wife (An attempted suicide is played as slapstick; Harry as a lover who makes girls swoon feels like the audience is meant to recognize a parody of something specific). You sometimes get the impression he's no more worried about audience sympathy than the Paramount Marx Brothers.
Footnote: Harry Langdon Jr. grew up to become a successful Hollywood photographer, producing what are recognizably definitive portraits of celebrities. Always thought it amusing that while Langdon found success with slowed-down comedy, his son found success by freezing action altogether.
Yes, Langdon seems to have a trove of talkie material that rarely gets regular exposure and is hardly available on home video. It's a situation similar to Charley Chase in which they are both considered silent comedians despite having a pretty solid career in talkies right up to the end of their lives.
I'm one who hopes his sound comedies become more available in the future.
Slightly off-track... Having watched "Zenobia," it occurred to me that Stan Laurel could have played Langdon's role if he (Stan) and Hardy had decided to forgo their usual characters.
I thought Capra's version of Langdon's rise and fall was purely self-serving: taking credit for Langdon's success but denying any responsibility for his slide. Easy to do when the guy you're writing about has been dead for years and there's really no one left to dispute you. I'm looking forward to reading this new book.
I've seen a handful of the Langdon Columbia shorts but they never really seem to click for me. Langdon always seems somewhat at odds with Columbia's style. The Educationals I've seen worked a little better.
Come to think of it, that's pretty much the way I feel about Keaton's Columbias and Educationals, too.
Wish by some miracle "Heart Trouble" would turn up somewhere.
John,
I'm happy to see Greenbriar continues to thrive at Appalachian. I stumbled across your blog while checking back on App's theater programs--and I'll continue to track your thoughts on all things classic. Thanks for keeping my fellow Mountaineers alive with the magic of movies.
I hope to swing by and check out a flick after being gone for some many years. In the intern, I always remember fondly watching "Sabrina" to a packed audience when this thing first started back in 2003--has it really been that long?
P.S. I still have my green Greenbriar shirt, and it still fits.
Your humble movie-fan and former theater manager, Chris
Hey Chris! Great hearing from you after all this time. Glad to know you remember the Greenbriar and the many shows you managed so well --- thanks for stopping by GPS.
While I always enjoy Langdon's silent films--and his 1932 appearance as the opinionated park janitor in HALLELUJAH I'M A BUM, I found his Hal Roach 2-reelers on TCM a couple years ago repulsive and unfunny.
With a few exceptions here and there, Hal Roach's talkie shorts don't play well for today's audiences once one gets away from the Laurel & Hardy and Our Gang shorts. Of course as historical artifacts they have value, but I would NEVER show many of his talkies to my theatre audiences.
Evan
Toledo
Well, it may be treading on sacred territory, but for me Roach's talkie shorts tend to move like molasses. I've always heard that it's completely different seeing them with a live audience, but I've seen a number of them with live audiences and they still just dragged.
Len
Hardy and THE ELEPHANT were the real team in Zenobia.
Well, actually there is one moment in Zenobia that never fails to kill me -- a very brief dialogue exchange between Langdon and Billie Burke. They're both so wonderfully ditsy -- and actually seem to complement each other, that I'm surprised Roach (or anyone) never thought of teaming them!
Thanks so much for your review, my copy is on the way, can't wait to get my hands on what seems to be the definitive book on the greatest comedian of the silver screen!
I haven't put this book down since I got it. I found it at the Larry Edmunds bookstore in Hollywood just sitting there. I had no idea it was coming. Who'd of thought, at this late date, we'd get the definitive Langdon book? He strikes me as the funniest of the silent guys. He didn't make the best films and something doesn't work as well with sound but he personally was just funny.
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