Polish prisoner in aconcentration camp switches
identities with a dying woman and refugees to America for presumed
wealth/position. A spun web of devices from Rebecca, Dragonwyck, other woman
gothics done less after WWII, and confused by directing Robert Wise as to
emphasis (are we about the ID deception or a sinister new husband and
household?). Not a starry cast --- Valentina Cortese had done few American
films, none notable, and Richard Basehart was mostly a character man. That could
be why NBC passed on Telegraph's inclusion among Fox features showcased on the
network's Saturday Night At The Movies beginning September 1961 (it went direct to
syndication via Seven Arts in 6/63). Suspense is perked by San Francisco locations, virtually all of
outdoors shot on site; these streets would later host Vertigoand Bullitt to
even stronger effect. Never mind that the story stumbles --- there's enough
visually to please, especially if caught on recent Netflix HD stream. That richer
view can and does push average pics into higher category just by approaching 35mm richness first-runners enjoyed. How many more critical reps will
be enhanced as HD access widens?
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