Better be a committed Thomas Mitchell fan to
book this Flight, him being the whole show and a little of that goes far ways,
even at Warner B length of 75 minutes. The story thus: TM gets prognosis
negative from Doc James Stephenson and decides to commit murder in disposal of
neighbor Jeffrey Lynn's no-good partner in adultery. Further recount would
invoke tedium, so I'll not. To watch is to suffer minimal, for there's a
good cast to augment vague wondering of how the mess will sort out.
"Perfect murder" stories were told better elsewhere, but WB's point
was to fill lower berths and keep check-drawingstaff busy. Flight is worth the trip for early glimpse of devices that film noir would co-op and wring dry later in the 40's. The title implies a theme profound, but not to worry, there's none such here. Director Vincent
Sherman wrote in his memoir Studio Affairs that Warners was happy enough with
Flight From Destiny to seek "A" bookings, and indeed there were
solo dates for the pic in key cities. Sherman
always had knack for pulling value out of assigned work that others may ignore
or overlook, Flight From Destiny a good example of lemonade he'd squeeze from
otherwise discard fruit.
I actually enjoyed this programmer, which didn't hide its status and Mona Maris as the bad woman is terrific. The version I saw in Argentina, on VHS, was a print with the opening and ending titles in Spanish; also, the film was in English, with subtitles.
Warners' B-movies by & large leave me cold (as do Metro's). They tend to be pretty routine, lacking good stories or interesting (or at least interesting-looking) character actors as those produced by PRC or Monogram -- studios that knew how to make good B's because it's all they did.
I watched one of Metro's "Nick Carter" movies with Walter Pidgeon and the insufferable Donald Meek as comic relief (comic relief being a mainstay of the majors' B's). It was all I needed to see to skip further entries in the series.
3 Comments:
I actually enjoyed this programmer, which didn't hide its status and Mona Maris as the bad woman is terrific. The version I saw in Argentina, on VHS, was a print with the opening and ending titles in Spanish; also, the film was in English, with subtitles.
Warners' B-movies by & large leave me cold (as do Metro's). They tend to be pretty routine, lacking good stories or interesting (or at least interesting-looking) character actors as those produced by PRC or Monogram -- studios that knew how to make good B's because it's all they did.
I watched one of Metro's "Nick Carter" movies with Walter Pidgeon and the insufferable Donald Meek as comic relief (comic relief being a mainstay of the majors' B's). It was all I needed to see to skip further entries in the series.
John:
Look what I just found in Brazilian microfilms online.
http://www.cartelespeliculas.com/galeria/albums/userpics/10118/JORNAL_DO_BRASIL%2C_Quinta-Feira_5_de_fevereiro_de_1942.jpg
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