Romance writer George Brent outruns his femme
fans to hotel retreat with secretary Ann Sheridan, but his troubles aren't over
yet. Were authors then like rock stars now? You'd think so watching Honeymoon
For Three. There were active fan clubs for wordsmiths, some of them print equivalent of movie names. George lectures for lady clubs and book
nooks with membership seeking to bear his child. Would it pay similarly to be a
famed writer now? Honeymoon For Three was remade from Goodbye Again, fresh
tread on old tires being Warner way. It's fun for brevity (75 minutes) and
infinitely the better of empty loudness that was same year'sAffectionately Yours, all WB comedies not being created equal. Like most studio bids for fun,
Honeymoon is salted with comic vets who could lift silliness over wires,
Charlie Ruggles a cheapest skate haggling over Dutch treat with Sheridan as waiter Walter
Catlett registers incredulity. Youngsters William T. Orr (a future Warner
son-in-law and TV powerhouse), Herb Anderson (he's everywhere in WB
"B's,"), and Our Ganger of silent-era Johnny Downs look in and bid
for laughs. Dialogue was punched up by those same Epstein brothers who
similarly enhanced Casablanca
and other Warner to-be classics. Top-billed Ann Sheridan is a most attractive
ever here: what happened between this and 1948's SilverRiver?
Were cigarettes and too much sauce the culprits? Stolid Brent cuts loose to
alarming degree --- you get a feeling he was starved to do comedy. Honeymoon
For Three comes on TCM, but should turn up eventually at Warner's DVD archive.
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