Chester Morris Crashes The Big House To Become Public Hero #1 (1935)
Warners had its Little Caesar and Public Enemy,
but MGM could point with pride to"electrifying"
The Big House as model for actioners trading on that prison pic's notoriety. Public
Hero's trailer opens with its cast and director J. Walter Rueben running off
the1930 oldie for tips to energize this programmer update, Chester
Morris again in stir, though now in undercover capacity to rout the
"Purple Gang," real-life public enemies that had operated during the
20's. Effectiveness of federal law enforcement was being celebrated in movies,
pic-makers and fans joyous that screen violence could be upticked now that
G-Men were firing weapons. Public Hero #1 approximatesthe Dillinger killing in
a theatre-set showdown parallel to how the actual badman got his. Crackling
Hero also boasts Warner-ish tempo and makes with rat-a-tat equal to year's supply
of Police Gazette. It got out as Metro was firming up a "B" unit to
accommodate double-features, but Hero dodges economies that might have been its
lot had production begun even a few months later. The yarn sustained to early
40's remake as The Getaway, a settled B and watered down, but efficient too in
modest way.
"Public Hero #1" looked to me like a B-movie on an B-plus budget. Throughout, I kept thinking, "Is this really going to be 90 minutes long?" While I enjoyed Chester Morris as usual, once again Lionel Barrymore stole the show. Sometimes I can't tell if he's a great actor, an incredible ham or both.
2 Comments:
I saw "Public Hero #1" and the "Getaway" remake (with Robert Sterling) on TCM years ago, and both used prison-riot footage from "The Big House."
"Public Hero #1" looked to me like a B-movie on an B-plus budget. Throughout, I kept thinking, "Is this really going to be 90 minutes long?" While I enjoyed Chester Morris as usual, once again Lionel Barrymore stole the show. Sometimes I can't tell if he's a great actor, an incredible ham or both.
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