A shockingly weak RKO comedy, nevertheless given
"special" pre-release for Christmas 1951, three years after the film
had been completed. "A lightweight hodgepodge," said Variety, and
that was generous, as critics otherwise gave DD a deep fry. RKO's pub-ad budget
was $85K, among biggest outlays that year to launch a pic, which they did with
leering art to accentuate Jane Russell, even though she screen-appeared in no
such low-cut costume as depicted in ads, from which low ebb Frank Sinatra was
omitted entirely. The Voice's fortune had come to impasse; no one seemed to
want him in song or acting capacity, his Double Dynamite billing below both
Russell and Groucho Marx, the latter with whom Frank did not get along.
Broadway's Paramount Theatre had a sock holiday week, but insiders attributed
that to stage bonus of Tony Bennett rather than damp fuse that lit Double
Dynamite (Bennett "the top disker of the moment," according to
Variety). Pic's title was originally It's Only Money till Howard Hughes
assigned the new one. He'd also supervise Dynamite's campaign to emphasize
"the two most prominent features of Miss Russell's anatomy," said
Variety.
Truth was, Jane Russell got shortest shrift of
Double Dynamite with regard presentation, the camera surprisingly ungenerous
toward an actress that needed closer attention than RKO was equipped to give.
Russell tended toward sneering expression, this less attitude than unintended
consequence of facial featuring. Also, she didn't photograph well in right
profile, something RKO crews, and Hughes, seemed oblivious to. Sinatra was again and for a last time playing Simple-Simon. He'd
not be a moment too soon abandoning that persona for films; it was, in any
case, hardly consistent with a volatile offscreen image FS had developed.
What interest Double Dynamite derives comes mostly of Groucho Marx in comic
support, an act that would have been more welcome in higher grade merchandise (imagine
Grouch enhancing Esther Williams musicals at Metro). A million was spent on
Double Dynamite's negative and the same came back in domestic rentals, plus
$450K foreign, but there was loss of $250K. The film is available on DVD and
plays Warner Instant in HD.
Love the Terrace ad, a treasure of unintended nostalgia for obsessives like me! A 1951 plug for movie shot in '48, playing with "10 color cartoons" illustrated via clip-art of Porky Pig circa '38. Sure, it was quickly pasted together with whatever was handy, yet it speaks so eloquently of the whole drive-in experience.
4 Comments:
Love the Terrace ad, a treasure of unintended nostalgia for obsessives like me! A 1951 plug for movie shot in '48, playing with "10 color cartoons" illustrated via clip-art of Porky Pig circa '38. Sure, it was quickly pasted together with whatever was handy, yet it speaks so eloquently of the whole drive-in experience.
Groucho's painted-on eyes in the print ad makes him look like one of the Zanti Misfits.
I notice in the photo used in the header that Jane took her shoes off so she wouldn't tower over Frank and Groucho (if I recall, she was 5'7").
I like the colorized picture of Sinatra with Brown eyes.
Post a Comment
<< Home