Frank Sinatra alternates between China/Burma
combat and R&R with Gina Lollobrigida. Among fighting force are
soon-to-be-stars Steve McQueen and Charles Bronson, Never So Few a preview of
the sort ofactioners they'd engage as WWII movies became the stuff of 60's
fantasy. This was among early occasion for enemy troops blowing up real good
for always outnumbered, but never outfought, allies. Director John Sturges saw
his future in said approach, increased distance from the actual war enabling battles
to be staged in comic book terms. Still, that was what action viewership wanted, and
if we're to trace back Hollywood's
blockbusting mentality, Never So Few may be a place to start. The project was slated
for travel, but only a second unit went, the principals held to Metro backlot
and nearby locations.
I call this a Hugo Friedhofer movie because his
score is the best thing about it. Sinatra romancing of Lollobrigida is a drag
through which we await return to battle stations. McQueen shows vividly what a
next generation of stars will look (and act) like. His gunfiring in place of
words makes the rest look like over-talkers, SMc early on hep to fact that
dialogue was something action men did best without. Politics jerk a rug from
under a once-ally as Frank and troop expose betrayal of GI's by the
soon-to-go-Red China,
making it clear we were wrong to have ever trusted them. Payback is a third-act
massacre they surprisingly get away with, a rare if not unique instance under
the Code. Burmese scenics look great, but it's obvious Frank and friends stayed
home, their jungle a same one Tarzan traversed at Culver. MGM was slow to
recognize a public fed up with faking re backgrounds. Never So Few plays on
Warner Instant in HD and looks terrific.
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