Producer Schenck Gone Island Hopping with Ambush Bay (1966)
An Aubrey Schenck project for United Artists,
his twenty-ninth association with that company. UA liked long term links with
producers they could rely on, and had confidence enough in Schenck to finance AmbushBay
in toto. Shooting over three months was in the Philippines, the yarn a recap of
Marines laying ground for the McArthur invasion. Schenck came back from the
location with battle-scarredwarn for others, as in never co-produce with the
natives and always pay your own way. Seems the Philippine industry was more
about picking Yank pockets than cooperating full on films shot there. They'll
steal you blind, was Schenck's frank impression. Still, for simply hiring
native help and paying them decently, the producer got a square deal. He had two
other ventures on deck: To Kill A Dragon and Barquero --- Schenck liked to
travel light re budgets and make pics exploitable.
He'd use an economy cast for AmbushBay,
Hugh O'Brian the McCoy at soldiering, having been a marine and currently
supportive of USO outreach to Vietnam
personnel. O'Brian made repeated tours there to entertain andencouraged other Hollywoodites to do the same. If there was an O'Brian career peak, the
mid-sixties may have been it. He was rugged, versatile (straw hat tours as
The Music Man plus Guys and Dolls), and played sleazy well, as evidenced by a
gigolo turn in 1965's Love Has Many Faces. Interestingly, his character in AmbushBay is a gigolo drafted into WWII service. Also aboard was Mickey Rooney, more
fine character work from him, and Jim Mitchum, who looked like his father to almost
chilling effect and had chance here to score a Story Of GI Joe for himself, but
Jim lacked elder Mitchum's flair. Trade
reviews for AmbushBay were kind, but
customers weren't forthcoming, Variety calling ticket sales "thin" or
"lean." Domestic rentals flattened at $525K, but foreign did much
better and saved the venture: $1.3 million. AmbushBay
broadcasts in HD (the MGM channel) that shows off island setting to rich effect. It's a
satisfying, if unexceptional, war pic.
I could never figure out why Hugh O'Brian's career didn't take off like some of his other TV contempararies like Steve McQueen, James Coburn, Charles Bronson. He did okay but just not what I would have expected ( I was a kid when Wyatt Earp aired). I'd say the same about Clint Walker but I guess with Clint there weren't enough 'bad guys' his size to beat up. How often could he beat up on Leo Gordon? Any insight into Hugh O'Brian's lack of major Hollywood success?
1 Comments:
I could never figure out why Hugh O'Brian's career didn't take off like some of his other TV contempararies like Steve McQueen, James Coburn, Charles Bronson. He did okay but just not what I would have expected ( I was a kid when Wyatt Earp aired). I'd say the same about Clint Walker but I guess with Clint there weren't enough 'bad guys' his size to beat up. How often could he beat up on Leo Gordon? Any insight into Hugh O'Brian's lack of major Hollywood success?
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