1949 Showmen Go Gender Targeting
Useful Pressbook Art --- But What Was In It For The Ladies? |
Command Decision Lesson #1: If Women Say No, The Pic Won't Go
The trouble seemed to be this: MGM had spent lots for a property adapted to Broadway success about men under stress of war, a war ended several years before. Legiters would pass on heart interest, result no women, that is, not one, in the cast. MGM hewed to that for translate of Command Decision to film, so no ground was given to worrying wives or sweethearts back home per formula of combat stories gone before. Fliers and those who'd led on the ground were invited to advance screen Command Decision and fill out cards re authenticity. Thumbs up from these put the feature on track for Academy consideration, perhaps a Best Picture for 1948, thus a three-theatre "Pre-Release" in
Problems arose in wake of ads done for the pressbook, none of which were femme focused, a mistake that showmen on the ground would have to address. MGM had done a teaser trailer aimed partly to women, but it was too small an effort. Command Decision was getting known as a new year's (and 25th anniversary) Metro show with appeal limited to men, and that was deadly considering fact that it was Mom, dates, and gal-pals that made command decision of what men/boys saw at theatres. How then to assure women that Command Decision was their kind of entertainment? One way, a most obvious one, was to emphasize Clark Gable (as in "The Ladies Love ..."), still swoonworthy even on approach to a third decade serving Leo. Distaff columnists liberally quoted in ads guaranteed sisterhood that Command Decision would please. Ads shown here are from Buffalo and Kansas City, a pair of keys that would have been put on notice as to selling snafus elsewhere (L.A., NYC, Chicago), and making appropriate adjustment to their own promoting. Kinks could often be ironed out this way, subsequent daters learning from errors made on first-runs.
More Command Decision at Greenbriar Archive.
3 Comments:
I have been catching up with the post-war Gables and have yet to view "Command Decision". They are a sorry lot - right now I'm struggling thorough "Any Number can Play". The pace is sluggish and Gable looks weary. "Adventure" was atrocious - stodgy and terribly misconceived. "The Hucksters" has some zip thanks to Gardner and Greenstreet, but, on the whole, I realise now why these later, lesser vehicles were not as widely played on TV (when I was growing up in the 70's and 80's). Gables famed Star magnetism is no more - the sexual threat is gone. I checked to see how they were received by the public at the time and was shocked that they posted respectable grosses, although only one vehicle, "Homecoming" made a little over a million dollars in eventual profit. I suspect this was due to his reteaming with Lana Turner, promising audiences some of the sexual chemistry which made Gable famous before the war. Turner is game, still sweet and giggling, but Gable is dull, melancholic even, and not interesting enough as an actor to use this to his advantage. I look forward to "Command Decision" though.
That sure is a happy bunch of actors in those ads for such a serious movie -- another failure in the truth-in-advertising category.
And that shot of Gable with the crown atop his head looks more like fellow-Metro actor James Craig.
Wasn't James Craig groomed as a Gable substitute during the latters war tenure? Pidgeon, Johnson, Hodiak too - all prospered on the home lot and avoided service for various reasons. Wonder if viewers noted the irony while watching "Command Decision"?
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