The Merry Marxes On Second Outing
Animals Crackers (1930) Back Again --- and Then Again
The Hanna Theatre in Cleveland Sat 1,397 for Legit Performances |
Chicago Gets Animal Crackers in 1974 |
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The Hanna Theatre in Cleveland Sat 1,397 for Legit Performances |
Chicago Gets Animal Crackers in 1974 |
8 Comments:
I remember an ad in a Boston paper for a revival of ANIMAL CRACKERS complete with actors in Marx drag, so I assume it happened elsewhere as well. Another theater revived ROOM SERVICE in Marx costume, ironic since the original play didn't feature the Marxes. My favorite cut line from CRACKERS is in "Hooray for Captain Spaulding" --- when the chorus sings "He is the only white man/to cover every acre," Groucho's reply (re: Margaret Dumont) "I think I'll try to make her!" is gone with a very noticeable jump cut. Hooray hooray hooray!
I saw a professional production of Animal Crackers in D.C. around 1982/83. Marx impersonators, but fantastic nonetheless. Piano and harp solos, included.
"Animal Crackers" has been restaged a few times in the New York area in the last decade or so, but only for limited runs.
I wish Paramount had used the "Four of the Three Musketeers" number from the stage version of the show. Or at least shot the finale in color, as had been planned. The brief test footage is available on YouTube.
Michael Hayde supplies some very interesting info on stage revivals of "Animal Crackers":
John,
A few years ago, I saw a restaging of ANIMAL CRACKERS at Washington DC's Arena Stage. Frank Ferrante, who has a one-man show as Groucho, played the redoubtable Captain Spaulding, and there were good re-creations of the other 3 brothers as well. (IIRC, Harpo was played by a woman, who was very good as both comedian and harpist.)
The play restored a number of aspects not used in the film, from the major
(the costume party that featured the number "We're Four of the Three Musketeers") to the trivial (the subplot involving a Winchellesque gossip
columnist). At the same time, alterations were made. For some reason, "Everyone Says I Love You" was added for the two lovers to sing; that was written for HORSE FEATHERS of course. A wink-wink moment was the casting of a burly black actor as the cop Hennessey, the joke being that he spoke with a thick Irish brogue. Finally, the four "brothers" leaped about the set singing "Oh By Jingo!" a show number from 1919 not written by Kalmar & Ruby. It wasn't out of character, but had nothing to do with the original play; at first I thought it might've been one of their old vaudeville numbers.
All told, it was an enjoyable romp. Hopefully the revival of I'LL SAY SHE IS that is going on now in NYC is as entertaining, even if it too takes liberties with the original production.
Thanks,
Michael
I saw THE COCONUTS & ANIMAL CRACKERS at a retro theater in the mid-70s. The musical numbers not involving the Brothers were deadly.
Donald Benson considers several modern Marx plays:
Actually, pseudo-Marx Brothers scored a Broadway hit some years ago in "A Day in Hollywood / A Night in the Ukraine". That show set a sort of standard for professional and community theater; it may have pre-empted any interest in "Animal Crackers."
The first half was sort of a revue featuring new and old songs set in front of the Chinese Theater.
The second half was a Chekov one-act reimagined for the Marxes, complete with a Margaret Dumont stand-in and a couple of MGM-issue singing lovers. That also featured an actress as Harpo.
There was an earlier musical, "Minnie's Boys", that had the brothers and their pushy mother knocking around Vaudeville and finally, near the end, becoming the Marxes we know. It was a bit too similar to "Gypsy," although the writers (including Groucho's son Arthur Marx) found excuses to lace in famous gags and routines. Groucho serenades a Dumontesque landlady with "You Remind Me of You," a song based on a bit from "Night at the Opera"; and they laid siege to a stage producer's office as they allegedly did Thalberg's.
Wonder if anybody has tried to revive "Poppy" with a star playing W.C. Fields playing Poppy.
Dan Mercer considers the Marx Brothers:
I've never particularly cared for the The Marx Brothers, whatever the version. There is a mean spiritedness about them that becomes rather depressing. And for me, puns are punishing. Watching "Duck Soup" and "Animal Crackers," however, suggests how amazing they must have been on stage. The routines and gags are so smoothly honed and mesh so well, that it's like watching a malevolent machine set in motion. An audience couldn't help but have been swept up in the mayhem. There is such a wealth of material, too. It's relentless. In these movies, then, if you don't like them, you won't like them a lot, but you'll understand why others did.
THe Goodman Theatre in Chicago did Animal Crackers a few years ago. Here's a video piece on it that gives a flavor of it:
https://www.youtube.com/watch?v=68LsMHtOEpI
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