Dragonfly Squadron (1954) Will Put You Deep In The War
Here issomething really novel that Bob
Furmanek, Greg Kintz, and Jack Theakston have come up with: a 50's war actioner
shot in 3-D but released flat only back in January 1954. Never shown stereo to
the public till now, Dragonfly Squadron arrives next week on Blu-Ray from Olive
Films. It is a crack job of depth retrieval from the Furmanek team, and
compelling demo of what expertise can achieve outside corporate structures
where overhead would make such a project prohibitively expensive. Furmanek, who
is among other things Home Theatre Forum's resident guru on 3-D and widescreen
matters, has cracked the code for economy presentation of depth, he and
Kintz/Theakston putting a marketplace on notice that 3-D is doable for home
viewing at a right price. How they did it is told at dazzler site 3-D FilmArchive, where details of the restoration accompany Furmanek's history of Dragonfly Squadron
rollout amidst a fad in freefall, depth by '54 avoided "like the
plague" by showmen who only months before lauded it as salvation for the
theatre business.
Dragonfly Squadron is a Korea war yarn
starring John Hodiak and Barbara Britton, directed by jack-of-all genres Lesley
Selander.Allied Artistsmade it, having shook most of Monogram dust
loose, and ready to compete with majors for best bill placement. Exhibitors
liked red meat AA served, be it westerns, war, or crime thrilling. Edge-of-seat
was where grind-goers preferred sitting, entertainment for them best punctuated
by gunshots or explosion. Dragonfly Squadron has these plus what I'd call a
most natural utilization of long gone Natural-Vision, no show-off effects as
was wont of earlier 3-D. What pleases is depth not calling attention to itself,
giving sets andlocation a reality where 3-D can enhance, rather than dominate.
Warner Archive has also released a number of AA's similar to Dragonfly Squadron. All
of ones I've watched have been efficient and enjoyable. These were salvation in
their day to theatremen faced with ruination from TV and tortuous terms set by
the big companies. A 1954 showman could choke on percentage demanded by Paramount for Korea-set
Bridges At Toko-Ri, but profit nicely with Dragonfly Squadron on flat rental.
Icall Squadron's a comfort cast, Hodiak-Britton
supported by Bruce Bennett, Gerald Mohr, Harry Lauter, Frank Ferguson ... faces
I increasingly prefer to stars out of higher bracket. These were players who made
bigger names look good, and it's nice to see them leading a charge, whatever
the budget circumstance. Fun is found in youngsters among the group: Fess
Parker with one or two lines and demeanor Disney would figure ideal for Davy
Crockett, a robust and Sgt. Rock-ish Chuck Connors, all gritted teeth and slit
eyes as he barks dialogue at underplaying Hodiak. Wonder if the older man
thought, This was me, ten years ago, as Connors spat lines toward gallery that
was big-time stardom (whichhe'd achieve, but on smaller screens). Watching
Dragonfly Squadron flat would be enjoyable enough; what's added by 3-D makes it
a must. Universal, Paramount,
Columbia/Sony et al should seek out Furmanek's creative cartel to bring out some
of 3-D abundance these companies own. Most welcome would be Blu-Ray plus depth for
Revenge Of The Creature,The Mad Magician, Gun Fury, Wings Of The Hawk ... any
of fifty or so features produced during flush season for 3-D that was 1953-54.
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