Gable and Crawford's Last Together is Strange Cargo (1940)
Clark Gable's first after Gone With The Windfinds him busting off a devilish island with a Christ figure among convict
company. Obviously one-of-kind, this runs long, has several climaxes (one
only needed), but plays fine given willingness to get into spirit. Glamour folk
Gable and Joan Crawford meet mud and crocs in pursuit, Strange Cargo '40-sold
legitimately as something different, at least for them. Gable snarls and is
relentlessly cynical; you'd actually like him to give so much attitude a rest. Here
was a furthest up necks in swamp a Metro cast had gone since Kongo in 1932,
only this time with soul-saving along way in accord with Code responsibility. One great scene has everyone on an escape boat deciding who'll test a barrel possibly tainted with salt water, knowing the drinker might swell his tongue and die hard in event it's there. Certainly made me resolve never to touch the stuff. We
get feel of excess cooks thinning the broth, downside of MGM star vehicles on
which so many below-line jobs hung. Leo could afford blue-ribbon support casts,
thus Peter Lorre, Albert Dekker, Paul Lukas, many others that make Strange
Cargo more an ensemble than was usual for a Gable/Crawford. Visually a
knockout, thanks to HD delivery by Warner Instant.
If you can get past the blatant Christ-theme, this is a terrific film because it is so unlike all of the other Gable-Crawford pairings. Both stars escape the MGM sheen and enter a much more gritty world. I enjoy Gable's hardness throughout and even though we know he must redeem by the final reel, Borzage hold the conversion off until the lights of the theater are about to come on.
Crawford seems relieved that she's not playing a spoiled heiress or a struggling shopgirl. Her tart prostitute provides the film with it's few moments of lightness. Had Jean Harlow lived this would have been a perfect reunion with Gable.
Frank Borzage had a way with handling unconventional material and making it play.
2 Comments:
Think it was Leonard Maltin's book that said "If you watch this,try to figure out what kind of character Ian Hunter's playing".
If you can get past the blatant Christ-theme, this is a terrific film because it is so unlike all of the other Gable-Crawford pairings. Both stars escape the MGM sheen and enter a much more gritty world. I enjoy Gable's hardness throughout and even though we know he must redeem by the final reel, Borzage hold the conversion off until the lights of the theater are about to come on.
Crawford seems relieved that she's not playing a spoiled heiress or a struggling shopgirl. Her tart prostitute provides the film with it's few moments of lightness. Had Jean Harlow lived this would have been a perfect reunion with Gable.
Frank Borzage had a way with handling unconventional material and making it play.
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