Richard Dix Flies Like A Tiger in Ace Of Aces (1933)
Great War meditations soldiered on from that
conflict's end to near a beginning of the Second World War. Best regarded of
them was foxhole or trench-set The Big Parade and later All Quiet On The
Western Front, neither shrinking from stance that war was hell. But what of
grand show that also was battle? Richard Dix makes argument for it in Ace Of
Aces, wherein his title character speaks to glory and quick reward (and
quicker, cleaner death) claimed from air advantage. None of mud or limbs blown
off for this eagle ofthe skies. Dix and brethren are about romance of war, and
men just gaining majority in the early 30's must have come away from Ace Of
Aces wondering if dogfights were not also fun fights for a generation who
engaged them. So what if survival odds were against pilots? There was glamour
to the pursuit --- goggles, fur collars, whipping scarves --- and best of all,
compliant women during Paris
leave.
Aviation had claimed hearts of young men
thanks to Lindbergh and barnstormers. How hard could it have been to climb up
and shoot down Germans? Many, of course, would find out in ten more short
years with WWII. Ace Of Aces came of Merian C. Cooper's exec tenure at RKO. It probably
seemed like a keen idea after Warners did so well with The Dawn Patrol. The
cycle for air action had been pedaled as well by Paramount with The Eagle and The Hawk, and
follow-ups William Wellman did after Wings. But wait --- Ace Of Aceslost
money, a negative cost of $277K not recovered by mere $265K domestic and $111K
foreign rentals (prints, distribution, advertising needed more to ease
overhead). Had aloft settings gone stale?
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