Among miracles of late is Kino Lorber releasing
Paramount silent features I'd have sworn we'd not see again, including Old
Ironsides, a 1926 pageant that's said to define sea-set spectacle. Clearly this
is stuff of major anticipation for 2018, as minds naturally wander to just when
and how often Old Ironsides wasseen over ninety years since it
was new. I would have guessed seldom, and never in theatres once the talkie
monster spat out silents. Wrong again, as evidenced by this shock of
an ad for the Esquire Theatre in Chicago, a venue you'd figure for
an artie, especially with Old Ironsides playing there in 1959,
decked out with "Narration and Music Added" for this "Modernized
Version." Here was a reissue new to me, but turns out Para
put feet to pedal and pushed hard this bring-back, a test, said trades, to see if
extreme oldies could still be viable in a modern market. Things got hopping in
March '59 with hire of voice great Art Gilmore to narrate. Report from key
bookings began in September, Old Ironsides doggy in Denver
with a "poor" $5K for the 1,584 seat Denham Theatre, an independent
house, then Baltimore
clocked a "slow" $1,200 at a 300-seat art address. Chicago saw "drab" biz. Variety tried
to help with a feature article on 9/9/59. "The Par tryout could abound in
significance. If it shows that the heavy volume of silents in the vaults ---
those which haven't deteriorated --- can make for audience satisfaction, it
would mean extra millions for all studios." Remember, this was 1959, a time when
many assume Hollywood
used silents for kindling only. I wonder what Paramount minion came up with
this idea --- someone inspired by Robert Youngson's try withNoah's Ark? Variety's piece
claimed that "Paramount
has over 1,000 talk-less features in its library." Like hell they did,
even in 1959, but who writing for trades knew? "If even a small
percentage of these can be made merchandisable, the money potential could be
beaucoup." Follow-up article on 9/16/17 drove in the nail, Paramount's experiment
declared a miss: " ... evidence so far is that "Old Ironsides,"
which was shown in three theatrical situations ... has been out of sync with
public want-to-see," turnout in Chicago, Denver, and Baltimore labeled "below normal." Paramount
said it would explore television as possible outlet for the relics. To my
knowledge, however, Old Ironsides never played the tube, in 1959 or after.
Question: Are there prints still around of the '59 reissue? Were any printed on
16mm? I'm guessing these then-freshened elements may have been used for the
version that survives today, and will indeed be what we get in Kino's
forthcoming Blu-Ray.
John, Paramount Video put out OLD IRONSIDES as one of it's 75th Anniversary VHS tapes back in the 1980's, with a lovely Gaylord Carter organ track to boot. I hope Kino uses the Carter track for the BD re-boot.
I saw OLD IRONSIDES maybe 12 years ago, presented by a regional theater-organ society at a 16mm venue. The print had all the main and interior title cards, so I gather this was not the reissue version from '59.
I saw 'Old Ironsides' at Cinecon's festival in 2013 in Los Angeles. It was an excellent print and I don't recall any narration, so hopefully the original version will be released on Blu-Ray. I looked back tonight at my journal for that trip. At the time I wrote that the movie was the highlight of the festival for me.
I'm working on a commentary for this right now, and it has all the titles. It's been speed-adjusted and the in-progress file I have is sepia-toned, which is really cool.
Thanks to John, I'll be able to cover the 59 re-issue in my ramblings!
5 Comments:
John, Paramount Video put out OLD IRONSIDES as one of it's 75th Anniversary VHS tapes back in the 1980's, with a lovely Gaylord Carter organ track to boot. I hope Kino uses the Carter track for the BD re-boot.
RICHARD M ROBERTS
While Paramount was reissuing OLD IRONSIDES, Salvador Sammaritano and Francisco Vigévano were rescuing the only known print of Chaplin's CRUEL, CRUEL LOVE. I have seen a lot of ads for silents reissues in Argentina from the late fifties and early sixties. Unfortunately, newspapers are almost not available online. Yet I still managed to find ads for Chaplin silent reissues from the forties and fifties. There are posters for silent film compilations that were not imported from the United States even though the movies were from Hollywood. Still exists a version of THE KID that was exhibited in Argentina in the fifties (prepared from the original release elements and not under Chaplin's control) but it is not available for obvious reasons.
I saw OLD IRONSIDES maybe 12 years ago, presented by a regional theater-organ society at a 16mm venue. The print had all the main and interior title cards, so I gather this was not the reissue version from '59.
I saw 'Old Ironsides' at Cinecon's festival in 2013 in Los Angeles. It was an excellent print and I don't recall any narration, so hopefully the original version will be released on Blu-Ray. I looked back tonight at my journal for that trip. At the time I wrote that the movie was the highlight of the festival for me.
I'm working on a commentary for this right now, and it has all the titles. It's been speed-adjusted and the in-progress file I have is sepia-toned, which is really cool.
Thanks to John, I'll be able to cover the 59 re-issue in my ramblings!
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