Stills That Speak #8
STS: More Clark Gable Captures
WELCOME HOME RHETT, SAYS TOOTIE --- The back caption says something about these two hoping someday to do a picture together. How realistic was that? Gable was great with Bonnie Blue, the more so after she flew off a pony and broke her neck. Might he similarly cry for Margaret? We could wonder if anyone floated CG as Bad Bascomb rather than Beery. Great stars, especially greatest stars, had to be cast carefully. Margaret O’Brien after 1945 was no longer Tootie. She played well with old men in support, each of Three Wise Fools born in the nineteenth century and imagine how O’Brien feels whenever she catches that on TCM (wait … is Three Wise Fools shown on TCM, for I don’t offhand recall seeing it listed). She’d be willful for The Unfinished Dance, cause real complication for adults, plus suggest maybe she’d not prosper in adolescence. To me she kept a little girl voice while getting gangly, and I wonder who gave the order to pink-slip her. Mannix? Mayer himself? There is an interesting color image of Margaret reunited with Judy Garland and Tom Drake, probably around Words and Music time, four years of water under a bridge. Gable too had his worries, Adventure successful even though he and everyone knew it wasn’t much good, grosses a pyrrhic victory borne of his being back from war and everyone eager to see how he’d comport. Problem was hanging on to what had been accumulated before years got lost, that a problem shared by all leading men who served. Suppose they got together and talked about it? Picture Robert Taylor confiding to Gable his concern at being cast for anti-heroes if not outright heavies (good direction for Taylor by my lights). Gable kept his public as well as anyone in his category. Aging and bad habits if anything made him more interesting.
DRAGON BETWEEN A PAIR OF LIONS --- First impression here is not Hedda Hopper, nor Victor Fleming, but Gable with a cigar. Since when did he take to those? Onscreen he used them as Rhett Butler, but I never saw him occupied so in candids or set stills. Gable indeed smoked cigarettes, enough of those to make me wonder if cumulative effect weakened his heart. I propose date here as 1944 when they were doing Adventure, perhaps later as Fleming was friend enough to Gable that they surely socialized on each other’s set from time to time. I understand Vic suffered grievous with kidney stones, less wherewithal in thirties-forties to deal with such malady. Hopper was doubtless said dragon in other circumstances, but Gable by this time was elder statesman enough to command her respect and besides, I always had the sense he knew how to deal with, and get along, with her. There was a Hopper memo I came across once at the Academy library where she talked about calling Gable (apx. 1955) while he was in midst of showing his 16mm print of Boom Town to a group of kids including wife Kay’s son by a previous marriage. Gable had a notable collection of his movies. Someday I need to write about what became of those prints. Again to Hopper, she was tolerated or hated, I doubt “liked” would occur to most. She got oodles of Christmas presents from stars and execs each year, joked that hers was “the house that fear built.” She had sort of a Winchell thing going with her column. There’s a lot of fascinating stuff in old Hopper writings, not all gossip but solid movie news historians could use if they dug through her output, but where has any compilation appeared? Hopper files are lush with off-and-on-record treasure. Somebody should someday mine it, or is it too late for anybody to care?
PITY THEY’D NOT CO-STAR AGAIN --- I propose that this was the last time Spencer Tracy and Clark Gable were photographed together. It isn’t like they fished, hunted, or made motorcycle runs. Gable pals were of sort that liked to crawl under cars, while Tracy idea of social was sitting round tables with talking colleagues or keeping company with K. Hepburn or shorter-term mistresses. Back caption reads The People Against O’Hara as the show in work when the old screen comrades met and chatted. Blurb says they “seem to share a mild difference of opinion,” though it doesn’t look that way to me. Gable is holding a book which I’d like knowing what it is. Tracy’s shirt fits like a few apple pies too many. Weight was often as issue for him, though it mattered less because by now he’s a character star and a little paunch was almost expected. Gable on the other hand had to watch weight for being still a romantic lead man. Remember the Dear Mr. Gable TV special from 1968 where they showed an unflattering clip from Lone Star and talked about how weathered he had started to look? I thought at the time it was unfair but that may have been because Gable vehicles of Lone Star and similar vintage was all the CG I could get from surrounding NC stations. No Red Dust or Mutiny on the Bounty for me until I bought prints later. Were Tracy and Gable a little jealous of one another? I never believed that, preferring to guess they were congenial, enjoyed talking when they did, but just did not have all that much in common other than sitting atop hill that was Metro at star-making zenith. Serious talk of re-teaming them for Green Fire took place in 1954, which you can tell from finished product was a Gable-Tracy show in conception and much of execution. I wonder how such a late co-starring would have come off. As suggested before, they would have been terrific head-to-head on Inherit the Wind, but what is that now but idlest speculation.
INTERESTING STAR ASSEMBLAGE --- How much notice were Gable and Lombard given to dress and show up at this benefit for Greek wartime allies? No such request could be turned down, unless you were in the hospital getting a gall bladder removed. Wish I had a date for this image, but no. Anyone care to speculate? Could it have been during that brief window between Pearl Harbor and Lombard’s death on 1-16-42? Seems likely to me. Note Lombard’s hand on Gable’s knee. Is she afraid he’ll get up and wander off? I’m guessing he didn’t care much for this sort of event. Gable liked being completely prepared for whatever appearance he made. This may have been a radio broadcast or just four stars making brief speeches to support objects of charity. Could this have been the first time Gable and Tyrone Power met? Perhaps not for Power having been at Metro for a good stretch doing Marie Antoinette in 1938 and surely he and Gable saw each other at the commissary, getting shoes shined, whatever. Myrna Loy was an old Gable partner on screen and had done The Rains Came with Power, but how well, if at all, did she know Lombard? I’m fascinated by stars tethered to differing studios thrown together. It happened lots with radio, for instance a time when Gable and Marlene Dietrich did a Lux broadcast for DeMille. Think of turning clocks forward, a year maybe, and what became of these people as result of war declared. They must have looked back on a night like this to reflect how simple life once seemed, not that there was anything simple about being among biggest names in pictures. Just think … two “Kings” of Hollywood together, plus a Queen which was Loy, her crowned with Power … or was it Bette Davis? I forget and what does it matter? Just noticed sheets Power is holding. Might that be a script for him to read off when they step before microphones? These people must have gotten sick of dressing to nines five nights out of a week, especially now with war on (or close) and need for their participation the more urgent. I wonder if Gable and Power found it sort of a relief to enlist and serve among ordinary recruits instead of carrying star banner for morale’s continuing sake.
UPDATE --- 6/2/25: Dan Mercer nails the date of Gable and Lombard's event appearance with Tyrone Power, Myrna Loy, and as you see below, others:
Not a bad guess, John, as to when that photo of Clark Gable and Carole Lombard with Tyrone Power might have been taken. Carole was very apprehensive about leaving him to make those War Bond appearances, as he'd become an item of speculation with Lana Turner, hence that no doubt reassuring touch of her hand on his knee. However, I think that he was a wandering sort, anyways, whatever his feelings for her or any woman. As with many men, he was able to separate affection and commitment from more, let us say, predatory behavior. So, such a picture might have been made at any time in their marriage.
As it is, however, the photo was actually taken on February 8, 1941 at Grauman's Chinese Theater, where an "America Calling" radio broadcast was being made for Greek War Relief. Sam Goldwyn had organized it, Bob Hope and Jack Benny were co-emcees, and just about all the stars of Hollywood made appearances.
You'll notice Frank Morgan, Melvyn Douglas, Charles Laughton, Dick Powell, Ronald Colman, Madeleine Carroll, Sam Goldwyn, Gable and Lombard, Shirley Temple, and Myrna Loy.
I understand that Gable performed in a "romantic skit" with...Merle Oberon!
It is indeed good to be king, especially in Golden Age Hollywood. And maybe that was the source of Lombard's apprehension.
UPDATE --- 6/7/25 --- from Dan Mercer
That's a charming picture of Clark Gable and Margaret O'Brien. He seems to genuinely enjoy being with her. I noticed the sheets of paper each was holding and the acoustic paneling behind them, and wondered if they were participating in a radio show. It seems that on May 2, 1945, they did appear on the "Mail Call" show carried by the Armed Forces Radio Service, reading letters from American servicemen and women and offering encouragement to them. She would have been eight years old at the time.
Here is another picture from that appearance:
So, studio stars did make a lot of personal appearances when not before the camera, no doubt strengthening the brand, whether that was of the studio or their stardom. Given his own service, however, I'm sure that Gable didn't begrudge the time in this case, and the pictures suggest that he was having a good deal of fun as well.
2 Comments:
Dan Mercer considers the burning question of GABLE and Tracy re INHERIT THE WIND:
Your suggestion that Clark Gable should have co-starred with Spencer Tracy in "Inherit the Wind" is intriguing. Certainly it might have added a certain charisma to the Matthew Brady part, which William Jennings Bryan, the figure on which Brady was modeled, had in abundance and which Fredric March, who played Brady in the film, did not. I don't fault March, however. At this stage in his career, he was capable of fine, nuanced performances, as in "The Man in the Gray Flannel Suit" and "Middle of the Night." However, the Brady character was written as a blustering has been. His former greatness was alluded to, but nothing remained of it. As such, the confrontations between him and Henry Drummond, the character played by Tracy and based on crusading attorney Clarence Darrow, had all the dramatic intensity of watching a balloon being popped. If Brady was to be portrayed as a worthy opponent of the humane progressivism personified by Drummond, the actor playing him would have to bring in qualities not present in the screenplay.
A question, however, is whether Gable would be Gable in such a part. March was made up in the film to be balding and paunchy, as William Jennings Bryan was in life. Would Gable have submitted to that? The film that he did make during this period, "The Misfits," was serious in intent though also a disappointing talk fest, but Gable was recognizably Gable, weathered and virile even though, as it turned out, he was walking in the valley of death. In "Parnell," an earlier outing as an historical character, he was also himself in appearance, if with sideburns, though Charles Stewart Parnell was bearded and balding.
As you say, Tracy had long been a character lead, so it was not necessary for him to conform to a leading man's image. That was not the case for Gable. Had he assumed the Bryan appearance and writing of the character remained the same, would he have still been able to bring the power and strength that was so much an aspect of the characters he had played? Or if they let him appear as himself, what would have become of the verisimilitude of the film, when its style aped, as it were, that of the time of the Scope's Monkey Trial?
At least, had such casting been made, I'm sure that Spencer Tracy would have smiled to himself, thinking, "So, I'm 'Shorty,' huh?"
You can listen to the broadcast here
https://www.oldtimeradiodownloads.com/historical/america-calling
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